Meet Thora. Thora is a dress form, and a friend and I made her a few weeks ago.
I make a lot of things, I think it is fair to say. I like making things. Once upon a time, I thought I was a single-project-at-a-time person. It is to laugh! No, I have discovered a real love of having multiple fibery relationships going at the same time… and even a couple that don’t involve fiber (but don’t tell!). Currently, I have going one quilt (awaiting tying), bags of cut squares waiting to be (at least) two more; a strip of knitted lace in cotton/linen; a pillowcase waiting to be edged in crocheted cotton lace; several balls of merino/silk singles in mid ply on the spindle; another spindle full of alpaca from Peru; a half-finished sleeveless sweater; a granny-square crochet afghan in mid-piecing; a basket full of socks for mending; another pair of socks… um… And of course, that doesn’t include the bags of pre-organized projects awaiting their turn in the queue, like the alien dolls in that claw-machine in Toy Story. “Goodbye, my friends, I’m off to a better place!” squeals the one as the rest “oooh” in reverence.
Yup. It’s a good thing I’m pretty much a process maker, or I’d go slightly mad with the slow pace of turnover around here. And I say that only slightly defensively.
So Thora. My friend Barrie and I decided to make dress forms and I challenged her to use it and not let it sit in the corner… wearing something but otherwise not seeing much action… Hey! I can hear you mumbling at me! She was blocking a sweater! And it needs buttons!
Okay, so the challenge has been thrown down, which means I need to start sewing.
My aunt tried to teach me to sew when I was in high school. She’s a lovely sewer–er, I can now see why sewing bloggers use the word sewist. You can say the word “sewer” and emphasize it as “sow-er” but in print it really does look like I’m trying to gild a very nasty lily. She’s a lovely sewist. She made her daughter’s wedding dress, and my husband’s vest for our wedding, among other things.* Anyway, she tried to teach me to sew, at my request, as a teenager. I managed a pair of shorts and matching top. I remember the other patterns we’d chosen: a full skirt to be made in white-dotted chambray, a white eyelet blouse to go along. But I was so scared. I hated my body, and while I was as fascinated by fashion and clothing then as I am now, the idea of making things to fit that body meant that that body was not likely to change. It also meant that I would have to admit on some level to trying to look nice. Trying meant you were putting yourself out there for criticism, and that meant you might get hurt.
Well, I pretty much still feel that way. But over the last few years I’ve been trying very hard to come to grips with those feelings. And darn it, I love clothes, I have and probably will for a while, even as I crawl into my dotage. (Does anyone ever make you feel like all your clothes should have elastic waistbands and that you should wear longer skirts and sensible shoes once you hit 41?) (Even though I tend toward sensible shoes. But I have since long before they were expected.) There’s no time like the present to try, I guess. And maybe that’s how I’m different from me at 15.
I picked up the Colette Sewing Handbook by Sarai Mitnick at the library and I love it. It is very simple and straightforward, and its premise seems to be to teach several basic techniques, then apply to them to a pattern. Before that, though, Sarai walks you through the design process, and the process of designing clothing for yourself. I think I’m going to like working with this book. Even if it does assume you want to wear skirts. Oh, there’s another thing about me–I never wear skirts. I’ve wanted to, but they tend to ride up and down on me like a loose ring on a finger, because while my figure is (genteelly speaking) an hourglass, it’s a rather shallow one and my waist indentation is rather high, as opposed to the “waist” where things like jeans sit. So my middle, where waistbands generally sit, is at a place that does not indent, so much, as mark a point on a narrowing parallelogram. Clear as mud? If you are wearing pants, they’re kind of caught by being sewn around your other bits. But a skirt can just go up, up, up. Suddenly I’m wearing a very mini skirt with a waistband just south of my bra. Otherwise known as a tummy panel.
Perhaps it’s a good thing that the first pattern is a skirt?
*There’s a story about sewing. So I asked my aunt to make a vest for Chris for our wedding and I went out and bought some lovely matte brocade fabric. She took a look at it, and gave me a Look. Then she made the vest, and on return handed me back the majority of the fabric. There really was a lot of fabric. “Make a sofa cover out of the rest of it,” she twitted. So I did.